Abordó el personaje de Felipe II como acostumbra, es decir, con una precisión total en la afinación, con un legato atractivo y un caudal medio y fuerte muy enteros” Rafael Díaz Gómez, Mundoclassico.com, “El otro regocijo vocal de la noche fue el Felipe II de Alexander Vinogradov. Russian basses seem rather in vogue for this role these days, and the resonance and richness of his voice was perhaps the best thing all evening in a largely unevenly sung production. I shoot flowers for my wife. [1], She met Boris Pasternak in October 1946, in the editorial office of Novy Mir, where she was in charge of the new authors department. [1] She was romantically involved with him until his death, although he refused to leave his wife. James Jorden, The Observer, “The bass Alexander Vingradov made a fine Met debut as Count Walter, Rodolfo’s father, sonorously and suavely balancing this intriguing character’s combination of sympathy and violence. Peter Benenson, Persecution 1961 (London: Penguin, 1961), 70-78. It is about how children working on a garbage dump of Phnom-Penh were helped by a man and his wife … The photograph may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. Dès son entrée en scène au premier sa seule présence révèle un irrésistible charisme qui s’exprimera magnifiquement dans « Le veau d’or » et de façon définitive dans un sarcastique « Vous qui faites l’endormie ». Pasternak acknowledged Ivinskaya as the inspiration for Doctor Zhivago's heroine Lara. He has worked with many leading conductors including Gustavo Dudamel, Daniel Barenboim, Kent Nagano, Vladimir Jurowski, Lorin Maazel, Mariss Jansons, Zubin Mehta, Placido Domingo, Valery Gergiev, Philippe Jordan, Antonio Pappano, Semyon Bychkov, … collection. Puede decirse que su con su aria del tercer acto comenzó el mejor canto de una velada que creció según avanzaba. His beautiful rich dark tone and musicality single him out with distinction. This energetic matador leapt onto a table at Pastia’s from which he sang his aria with strikingly resonant sounds” Maria Nockin, broadwayworld.com, “With his slim figure, strong baritone voice and machismo presence, Alexander Vinogradov is totally believable as the matador, Escamillo. Selbst in den Tiefen sind die Töne glasklar, ist seine Diktion deutlich. 21 No. He was retired from Hudson Cold Storage in Hudson, NY. His spine-tingling monologue in Francesca is what opera should be about…the evening belongs to Vinogradov”  Financial Times. El fraseo arcaico del chelo, doliente y rotundo en acentos, le acompañó en un “Ella giammai m’amó” lleno de dolor honesto, mostrando las virtudes del canto legato y el aliento medido con el alma” Juan José Freijo, bachtrack, “Sin duda la estrella del espectáculo operístico junto con los directores de escena y musical fue el bajo Alexander Vinogradov que aunque ya era conocido por otras producciones en este mismo escenario nos enamoró con un Filippo caracterizado por una sobriedad y una elegancia digna del personaje que encarnaba. Surviving in addition to his wife, Bruna (Gregoretti) Vinogradov, are one daughter, Maria Desilets of Kingston, NY and five sons: Anatolie Vinogradov of Apex, NC, Ivan Vinogradov of Wallkill, NY, Dimitri Vinogradov of Kingston, Nick Vinogradov of Kingston, and Alexsei Vinogradov of Wallkill, NY; one daughter, Maria Desilets of Kingston; grandchildren: Dominic Charles Desilets of Catskill, NY, Sonia Bianca Desilets of Highland, NY, Natasha Desilets of NY, Michael Vinogradov of Apex, NC, Danielle Maria Piscioneri of Highland, NY, Bianca Rose Piscioneri of Highland, NY, Giavani Vinogradov of NY, Anastashia Vinogradov of NY, Caden Durant of NY, Giana Morgan of Highland, NY. He also loved and was very faithful to his Russian Orthodox religion. From the moment he began to sing we knew we were in the presence of a wonderful talent. Især bassen Alexander Vinogradov overrumplede i den dystre recitation om dødens klokker, og også i den svævende nocturne om bryllupsklokkerne blev man aldeles henført af den ekspansive klang hos sopranen Tatjana Pavlovskaja. Surely it filled every nook and cranny of the hall.” Earl Arthur Love for Concertonet, “Vinogradov was the star of the evening; one of those unforgettable singers like aliens who emit beautiful sounds the way other people cough. Eine faszinierende Mixtur. A slender, compact man, Vinogradov deployed a voice of immense richness and power, bringing stentorian dignity to the secret marriage ceremony performed for the two lovers. The Sunday Times: 100 best records of the year, Alexander Vinogradov on a screen near you, Rachmaninov Songs – ‘completely fantastic’, Maurizio Benini, Alexander Vinogradov, Arutiun Kotchinian, Damiano Salerno, Darina Takova, Elisabetta Martorana, Giuseppe Sabbatini, Luca Favaron, Ursula Ferri. The crowd gave him a rapturous curtain call” Greg Stepanich for The Palm Beach Post, “The sensation of the night was Alexander Vinogradov as Frere Laurent. This season, Alexander will return to the Metropolitan Opera, Staatsoper Hamburg, and Royal Opera House Covent Garden as Escamillo in Carmen, a role that he will also perform for his debut at the Dallas Opera. I Know This Much Is True Web Series was released on June 14, 2020. “Model for Dr. Zhivago’s Lara Betrayed Pasternak to K.G.B.,” New York Times, November 27, 1997, "Olga Ivinskaya; Inspiration for 'Dr. ” Noël Tinazzi, Rue Du Théâtre, 27/11/2014 http://www.ruedutheatre.eu/article/2835/nabucco/, “El publico aplaudio la inmensa voz, profunda y justa, sin esfuerzo aparente, de Alexander Vinogradov en el papel de Zacharia.”, ‘Alexander Vinogradov’s performance as Aleko and then the crippled husband Lanciotto in Francesca is spellbinding, an outpouring of emotional Russian soul, warm but controlled vibrato and an authoritative stage presence. In October 1949,[6][7][8][9] Ivinskaya was arrested as "an accomplice to the spy" and in July 1950[10] was sentenced by the Special Council of the NKVD to five years in the Gulag. Burial will follow at Lloyd Cemetery. ” David Fleshler for South Florida Classical Review, “The finest male voice on stage Friday may have belonged to the young Russian bass Alexander Vinogradov, whose Frère Laurent boasted a voice of huge proportions and a very attractive sound. She spent several years in litigation trying to regain them. [1] She served four years of an eight-year sentence, apparently to punish her for the relationship. [5] Doctor Zhivago was published in Italy in 1957 by Feltrinelli, with Ivinskaya conducting all negotiations on Pasternak's behalf. Mit seinem volumigen „typisch russischem“ Bass imponiert er von Anfang an und kann zuletzt – als Vater der Priesterin Norma – seine Emotionen ebenfalls ergreifend ausdrücken.” Ursula Wiegand for Der Neue Merkur, “Glücklicherweise lassen sie den vorzüglichen Alexander Vinogradov zurück, einen jungen Bassisten von Rang, dem jeder seiner Kurzauftritte glänzend gelingt.” Klaus Geitel for Berliner Morgenpost, “stimmlich prachtvoll verkörpert Alexander Vinogradov die Basso-cantante-Partie des Oroveso” Peter Pachl for Neue Musikzeitung, “Alexander Vinogradov (Oroveso) steuert mit schwarz meliertem Bass eine sehr spezielle Farbe bei.” Udo Badelt for Der Tagesspiegel, “Alexander Vinogradov è un Frère Laurent di bella voce, duttile nel fraseggio, sicuro nella salita agli acuti così come nella discesa ai gravi. Einfach hinreißend.” Christoph Zimmermann for Der Neue Merkur http://www.der-neue-merker.eu/koeln-philharmonie-jolanthe-konzertant, “In der Rolle des Königs riss der russische Bass Alexander Vinogradov schon allein durch seine wuchtig-virile Autoritat mit; die hitverdächtige Pracht-Arie sorgte im (eher mäßig gefüllten) Saal für erste Ovationen.” Stefan Rütter for Kölner Stadt-Anzeiger, “Alexander Vinogradov als König krönte seine Arie in einer Solokadenz im Kellerbass.” Olaf Weiden for Kölnische Rundschau, ‘…l’impressionnante basse russe Alexander Vinogradov, absolument éblouissant dans le rôle du grand prêtre Zaccaria.’ Didier Hemardinquer, Est Republicain, 27/11/2014 http://www.estrepublicain.fr/actualite/2014/11/27/trois-abigaille-pour-nabucco, “La distribution vocale est quant à elle dominée par le russe Alexander Vinogradov qui dans le rôle du grand prêtre Zaccaria joue d’une voix de basse impressionnante. Un grand Méphistophélès dont la carrière internationale a déjà pris un envol remarquable.” Réal Boucher for Forum Opera, “Une théâtralité, une présence, une vivacité et une morgue tout enrobée de séduction, complétait parfaitement bien une voix puissante, capable d’exprimer le charme le plus doux et la bassesse la plus vile. Qui plus est dans un vrai dialogue avec des forces vocales très présentes (le Chœur Philharmonique de Prague avait rejoint celui de l’Opéra): renvoyant le son dans toute sa puissance, la nouvelle conque montrait là une efficacité indéniable” Rémy Louis for Diapason http://www.diapasonmag.fr/actualites/critiques/vu-et-entendu-la-nouvelle-conque-de-l-opera-bastille, “The stars are Andrei Bondarenko and Alexander Vinogradov, both young but mature interpreters.” The Sunday Times, “However, it is Alexander Vinogradov who made the deepest impression on me. Don't translate everything, only what you can manage, and by this means try to make the translation more precise than the original—an absolute necessity in the case of such a confused, slipshod piece of work."[4]. 21 No. Schön flutend, charismatisch-ausdruckskräftig sorgte seine Interpretation für den gesanglichen Höhepunkt des Abends, der insgesamt auf äußerst hohem Niveau über die Bühne ging.’ S. Barnstorf, Opernglas, ARENSKY Raffaello Cardinal BEETHOVEN Fidelio Fernando BELLINI Norma Oroveso BERLIOZ Damnation de Faust Mephisto BIZET Carmen Escamillo DONIZETTI Lucia di Lammermoor Raimondo GOUNOD Faust Mefistopheles Romeo et Juliette Frere Laurent MOZART Die Zauberflöte Sprecher and Sarastro Le nozze di Figaro title Don Giovanni title, Leporello and Masetto MUSSORGSKY Boris Godunov  Pimen PONCHIELLI La Gioconda Alvise PUCCINI La bohème Colline Turandot Timur PROKOFIEV Love of Three Oranges Tchelio RACHMANINOV Aleko Title role Francesca da Rimini Malatesta RIMSKY-KORSAKOV Tsar’s Bride Sobakin and Skuratov Mozart and Salieri Salieri ROSSINI Il barbiere di Siviglia Basilio Il turco in Italia Selim Guillaume Tell Walther Fürst SHOSTAKOVICH Lady Macbeth of Mtsensk Old Convict The Nose Doctor and Clerk STRAUSS Elektra Oreste TCHAIKOVSKY Eugene Onegin Gremin Iolanta King René VERDI Aida Ramfis Attila title role Don Carlo FilippoII and Inquisitore Ernani Silva La Forza del Destino Marchese di Calatrava and Padre Guardiano Luisa Miller Walther Macbeth Banquo Otello Ludovico Simone Boccanegra Fiesco I vespri Siciliani Procida Rigoletto Sparafucile Nabucco Zaccaria WAGNER Der Fliegende Holländer Daland, ROLES UNDER PREPARATION BARTÓK Bluebeard’s Castle title BELLINI I Puritani Giorgio La Sonnambula Rodolfo DONIZETTI Lucrezia Borgia Don Alfonso Anna Bolena King Henry OFFENBACH Les Contes d’Hoffmann 4 Villains WAGNER Tristan und Isolde König Marke Lohengrin König Heinrich Tannhäuser Hermann Die Meistersinger Pogner ROSSINI Mosè in Egitto title, BACH B minor Mass BEETHOVEN Missa Solemnis Symphony 9 DVORAK Stabat Mater Te Deum HAYDN Paukenmesse JANACEK Glagolithic Mass MAHLER Symphony No 8 MENDELSSOHN Magnificat MOZART Coronation Mass Requiem MUSSORGSKY Songs and Dances of Death PROKOFIEV Ivan the Terrible RACHMANINOV The bells ROSSINI Petite Messe Solenelle Stabat Mater SHOSTAKOVICH Symphony 13 and 14 Michelangelo songs Songs of the fool Songs of the forest STRAVINSKY Pulcinella VERDI Messa di Requiem, Verdi: “Infelice!…e tuo credevi” from Ernani, Chant D'amour - Songs of Love and Immortality, SHOSTAKOVICH: Symphony No. I owe my life and the fact that they did not touch me in those years to her heroism and endurance. Alexander Vinogradov, age 82, of Kingston, NY, died Friday, January 4, 2013 at Kingston Hospital with his family by his side. Original content available for non-commercial use under a Creative Commons license, except where noted.

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