[7], The artist whose name appears on the greatest number of Embassy recordings is Paul Rich, a singer with the Lou Preager Orchestra, who recorded for Embassy between 1957 and 1965. Our automated banning policies are not perfect and sometimes too strict, and some IP addresses are banned by accident. [3] The label's releases mostly consisted of double A-side singles that were cover versions of then-current or predicted UK Top 20 hits,[1] and it was not unusual for different artists or contrasting pop styles to appear on either side of a record. One of Kay's sisters is Canadian public administrator Anne Golden. Classical music's luminaries—Mozart, Bach, Beethoven, Brahms, Wagner, Tchaikovsky, Chopin—are, in the parlance, Dead White Males, a term of revulsion amongst the woke. Kay expressed concerns that could eventually dominate the Knesset—and "Jewish destiny". Barbara Kay joined Ezra Levant's conservative online media channel Rebel News, in February 2017, as its Montreal correspondent. [4], As well as releasing covers of current hit singles, Embassy Records also produced EPs of trad jazz, children's songs, light classical music, and songs from musicals. [16] In 2007, faced with an increase in anti-Semitism,[16] anti-Israelism and anti-Zionism on university campuses, CIJR launched the Student Israel-Advocacy Seminars Program. [13][25] Widdowson said "[w]hile obviously there were serious problems with the schools that must be recognized and discussed, so as to avoid future educational deficiencies, labelling the schools as 'cultural genocide' prevents us from probing deeper into the structural reasons for the failings of these institutions". Kay traces her anti-communism to the mid-1950s when her family, like many other Canadian families, considered building a "well-stocked bomb shelter" in preparation for a nuclear attack from the Soviet Union. [6], One of the projects the organization has underway for empowering independent artists and community radio stations is a live music archive that artists and stations can contribute live performance tracks and from which other stations can access recordings for their own broadcast purposes. [17][6] Kay wrote that the Israeli Apartheid Week, an American import, was part of a larger movement growing in anticipation of the May 14, 2008 60th anniversary of Israel's founding. Your computer may be infected with malware or spyware that is making automated requests to our server and causing problems. The video features Kooyman and her frequent musical collaborator Richard Bowden. Embassy Records was the result of a contractual arrangement between Oriole Records and Woolworths, with Embassy's product being sold exclusively through the latter's stores. Soulhawk 12,656 views. [6] Although only one of Kay's father's siblings went to university, all of them "ended up solidly in the middle class. Barbara Kay. She stated her respect for Ezra Levant and Faith Goldy, but felt that the Rebel Media "brand" had been "tarnished" by several contributors who did not reflect the views of mainstream conservatives like herself. She currently writes a weekly column for The Post Millennial and a monthly column for Epoch Times. Barbara Kay, who was yet another singer who had previously been with the Oscar Rabin Band, was usually credited as Kay Barry on Embassy releases. [7] Her hatred of totalitarianism and communism was fueled by a "positive exposure to capitalism" and by books that she read, such as George Orwell's Animal Farm (1945) and Nineteen Eighty-Four (1949), Arthur Koestler's Darkness at Noon (1940), Ayn Rand's Anthem (1946), and Aleksandr Solzhenitsyn's One Day in the Life of Ivan Denisovich (1962). In the 1960s Kay, who was by then married as a student at McGill University in Montreal in the 1960s, took no interest in campus politics or indeed any extra-curricular campus life. One of his "most enduring" childhood memories was the liberation of Shanghai from the communists in 1949 by American soldiers during the Shanghai Campaign. [8] Similarly, the group names such as the Typhoons, the Jaybirds, and the Starlings did not imply any consistent membership and were generally made up of any musicians who were available on that particular day.

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