Additional film appearances include Operation Crossbow (1965), The Madwoman of Chaillot (1969), and The Failing of Raymond (1971). Paul Henreid and Merle Oberon dated in 1951. Preminger was also a protégé (and managing director) of Max Reinhardt. [6] The studio changed his name from von Hernried to the simpler and less overtly Germanic Henreid. His last noteworthy appearance during the fifties was as an itinerant magician in the oriental extravaganza Siren of Bagdad (1953) . His powerful performance led to radio work in the serial "Joyce Jordan-Girl Interne" and a film contract with RKO in 1941.This marked a turning point in Paul Henreid's career. In 1964, he directed Dead Ringer, which stars Bette Davis and features in a minor role Henreid's daughter Monika. After attending one of Henreid's acting school performances, Preminger introduced him to the famous stage director and this led to a contract. Henreid married Elizabeth Camilla Julia "Lisl" Glück (1908–1993) in 1936; the couple adopted two daughters. photos, The Conspirators (1944) was an attempt to repeat the success of Casablanca with Henreid fighting Nazis in an ostensible neutral city with a supporting cast that included Sydney Greenstreet and Peter Lorre. In 1992, at age 84, Henreid died of pneumonia in Santa Monica, California after suffering a stroke. In 1973, prior to his last screen appearance in Exorcist II: The Heretic (1977), Henreid returned to Broadway to perform in Don Juan in Hell. His father was an aristocratic banker, who was born to a Jewish family whose surname was changed from Hirsch to Hernreid.Paul grew up in Vienna and studied at the prestigious Maria Theresa Academy (graduating in 1927) and the Institute of Graphic Arts. Publicity Listings Returning to Warner Bros., he was cast the following year in Devotion, a biopic of the Brontë family in which Henreid portrays Arthur Bell Nicholls. Henreid died of pneumonia in a Santa Monica hospital in April 1992, after having suffered a stroke. During that period, he was strongly anti-Nazi, so much so that he was later designated an "official enemy of the Third Reich" and all his assets were seized.[4]. When he was a boy, Henried was cautioned by an uncle that "acting and syphilis are on the same rung of the social ladder.". He was a villain in a Burt Lancaster adventure film Rope of Sand (1949). He was "investigated" by the notorious House UnAmerican Activities Committee during the McCarthy "Red Scare" period in the 1950s, and was subsequently blacklisted in Hollywood. He was next cast opposite Eleanor Parker in an adaptation of Of Human Bondage (1946). In 1943, he and his wife Lisl purchased the luxurious "Fonda House", designed by architect Paul Williams, from. In Los Angeles, California in 1960, to honor Henreid's significant contributions to the entertainment industry as both an actor and director, two stars were dedicated to him and installed on the Hollywood Walk of Fame. [3][4], Henreid trained for the theatre in Vienna, over his family's objections,[3] and debuted there on the stage under the direction of Max Reinhardt. He began his film career acting in German and Austrian films in the 1930s. That year, Henreid became a citizen of the United States. [3] His first film for the studio was Joan of Paris, released in 1942, that became a big hit. He directed and played the lead role in For Men Only (1952). He was the son of Marie Luise Heilig von Heiligen (Lendecke) and Baron Karl Alphons Hernreid, a banker, who was a financial advisor to Emperor Franz Josef. He played a memorably athletic and lively Dutch pirate, the 'Barracuda', in RKO's colourful swashbuckler The Spanish Main (1945). Another of his best later performances was as a sadistic South African commandant in the underrated film noir Rope of Sand (1949), which re-united him with his former "Casablanca" co-stars Peter Lorre and Claude Rains. Paul Henreid had an encounter with Hedy Lamarr (1942). He accordingly left continental Europe and went to London in 1935, first appearing on stage as Prince Albert in "Victoria the Great" two years later.Henreid made his English-speaking motion picture debut in the popular drama Goodbye, Mr. Chips (1939), as the sympathetic German master Max Staefel, who proves to be Chipping's truest friend and ally. Henreid trained for the theatre in Vienna, over his family's objections, and debuted there on the stage under the direction of Max Reinhardt. Significantly, his next film, Now, Voyager (1942), defined his new screen persona: debonnaire, cultured and genteel, lighting two cigarettes simultaneously, then passing one to Bette Davis. to add information, pictures and relationships, join in discussions and get credit for your contributions. Paul Henreid and Claudette Colbert dated in 1957. Veidt himself was an avowed anti-Nazi, with a Jewish wife. Henreid turned down the male lead alongside Bette Davis, in Watch on the Rhine (which went to Paul Lukas) and Mr Skeffington (which went to Claude Rains). During that period, he was strongly anti-Nazi, so much so that he was later designated an "official enemy of the Third Reich" and all his assets were seized. In 1939 he had a notable supporting role as Staefel in Goodbye, Mr. Chips and the next year third billing as a German espionage agent in the thriller Night Train to Munich. film, Paul's father was from a Jewish family from Slovakia and Prague, and was the son of Laura Karoline (Schefteles) and Emil Hirsch. Official Sites. In 1954, once again working for MGM, Henreid performed in a minor role in Deep in My Heart, his first "A" film in several years. Next came "Casablanca", where Henreid played the idealistic, sensitive patriot Victor Laszlo; the poorly received Bronte sisters biopic Devotion (1946), as an Irish priest; and a stalwart performance as a Polish count and Ida Lupino's love interest, In Our Time (1944).After several dull romantic leads, Henreid reinvented himself yet again. He claimed that the restaurants Romanoff's, Scandia, and Chasen's were the only places in town where one could get a decent meal. Warners then tried to consolidate Henreid's new status by co-starring him with Ida Lupino in a romantic drama, In Our Time (1944) then putting him in Between Two Worlds (1944), a remake of Outward Bound. His next role was as Victor Laszlo, a heroic anti-German resistance leader on the run, in Casablanca (1943) with Humphrey Bogart and Ingrid Bergman. [5] Thanks to such support, Henreid was able to continue his work in British films. One of those stars, which recognizes his career in film, is located at 6366 Hollywood Boulevard; the other, for television, is at 1720 Vine Street. He finally escaped the stereotypical Teutonic image and began to play heroic or romantic leads, his first being Joan of Paris (1942), opposite Michèle Morgan, as French RAF pilot Paul Lavallier. In 1933, Paul made his debut at the Reinhardt Theatre in "Faust". Paul Henreid and Zsa Zsa Gabor dated in 1951. That year, he moved to the United States (becoming a citizen the following year) and quickly established himself on Broadway with "Flight to the West", as a Ribbentrop-type Nazi consul. He has the distinction of having not just one but two stars on the Hollywood Walk of Fame, one for his films, and one for his television work. [3] With the outbreak of World War II, Henreid risked deportation or internment as an enemy alien, but Conrad Veidt (later Major Heinrich Strasser in Casablanca) spoke for him, and he was allowed to remain and work in British films. |  Paul Henreid was in relationships with Claudette Colbert (1957), Merle Oberon (1951), Zsa Zsa Gabor (1951), Ida Lupino, Ingrid Bergman and Michèle Morgan. [7], Moving to Warner Bros. in 1942, Henreid was cast in Now, Voyager, playing the romantic lead opposite Bette Davis. After relocating to the United States and having a successful run on Broadway in Flight to the West, Henreid was put under contract by RKO in 1941. Henreid is best remembered as Ingrid Bergman's husband, the stoic Resistance leader Victor Laszlo, in "Casablanca" (1943) and for his classic bit of romantic business in "Now Voyager" (1942) in which he lit two cigarettes at the same time and handed one to Bette Davis. In 1970, tired of the expense and work to maintain such a large property, they sold that house and bought a smaller one in Pacific Palisades. He moved next to Columbia Pictures, where he appeared in Pirates of Tripoli for Katzman; and then, yet again, to MGM for a part in Meet Me in Las Vegas. Born Paul Georg Julius Hernried in the city of Trieste, then part of the Austro-Hungarian Empire (now Italy), Henreid was the son of Maria-Luise (Lendecke) and Karl Alphons Hernried, a Viennese banker, born Carl Hirsch, who converted in 1904[citation needed] from Judaism to Roman Catholicism, due to anti-semitism. More about Paul Henreid He also directed on the "big screen" A Woman's Devotion (1956) in which he played a supporting role, Girls on the Loose (1958), and Live Fast, Die Young (1958). Paul Henreid and Hedy Lamarr had an encounter in 1942. Paul Henreid was previously married to Elizabeth Gluck (1936 - 1992). On August 28, 2020, he was honored with a day of his filmography during the Turner Classic Movies Summer Under the Stars Festival. Austrian Actor Paul Henreid was born Paul Georg Julius Freiherr von Henreid Ritter Von Wassel-Waldingau on 10th January, 1908 in Trieste, Austria-Hungary [now Trieste, Friuli-Venezia Giulia, Italy] and passed away on 29th Mar 1992 Santa Monica, California, USA aged 84. Arriving in Hollywood in 1940 with an open mind and a European palate, Henreid's greatest culture shock was what he called the "terrible food" there at the time. His father was an aristocratic banker, who was born to a Jewish family whose surname was changed from Hirsch to Hernreid. Paul Henreid was previously married to Elizabeth Gluck (1936 - 1992). He is best remembered for two film roles: Victor Laszlo in Casablanca and Jerry Durrance in Now, Voyager, both released between 1942 and 1943. - IMDb Mini Biography By: [3] He says he was blacklisted from the major studios for five years - apart from Rope of Sand which was directed by a friend - before the blacklist was lifted and never understood why.

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