, Turner Classic Movies - Biography of Stanley Donen, Stanley Donen - Student Encyclopedia (Ages 11 and up). “Americans are a composite lot and American dancers must be as many-faceted as the melting pot” Loring said in an interview conducted for Dance Magazine in 1956. It has been quite a while since we have profiled someone for our Behind-the-Screen: The Hidden Masters of the Golden Age of Filmmaking series, so as a special treat the spotlight will be put on an occupation not usually covered in this series - that of the choreographer. Let us know if you have suggestions to improve this article (requires login). Donen fared better with The Grass Is Greener (1960), a pleasant if unremarkable marital comedy with an all-star cast: Grant, Deborah Kerr, Robert Mitchum, and Jean Simmons. Stanley Donen trailblazed a new era for the Hollywood movie musical that allowed it to evolve beyond the backstage drama genre. When Nancy Drew and her friends investigate, they discov... Miss Jane Marple, the wiry framed spinster from St. Mary Mead, whose hobbies include knitting and solving crimes, is one of Agatha Christi... "Land of the Hunter...and the Hunted!" Deep in My Heart (1954), a musical revue that celebrated the life and works of composer Sigmund Romberg, followed. Alfred Hitchcock and Tippi Hedren on the set of The Birds ( 1963 ), Many images featured on this site are obtained from original stills from the Silverbanks Pictures collection, h, owever, a large number of images were also obtained from other open sources. The American School of Dance was open to anyone interested in dance and featured all forms - tap, ballet, jazz, modern dance - blended in a unique well-rounded curriculum. It would seem strange is this Eugene Loring was also giving vocal coaching though he seemed to know a lot of famous people and one fellow choreographer (when asked was in his 90s) said he was ... but still seeking answers. Donen’s first solo directorial effort, Royal Wedding (1951), was based on a musical by Alan Jay Lerner and featured Fred Astaire and Jane Powell. In 1986, Lionel Ritchie paid tribute to this scene in the music video for his song, Dancing on the Ceiling, also directed by Donen. Updates? November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. If you are the copyright holder of any of these images and feel they violate your rights, please email us at. Announcing our NEW encyclopedia for Kids! He was also a self-taught pianist. Donen had a tough time convincing director Charles Vidor that it would work, but Kelly assured studio heads that the Donen could pull it off. Strange lights are seen coming from an abandoned lighthouse at Pirate's Cove. But, in typical Hollywood fashion, the studio did not know what to do with Loring after they signed him and so his first work in film was actually an acting job as jockey Taski in, ( 1944 ). In Cover Girl (1944), he crafted Gene Kelly's celebrated "alter ego" number, a dance that allowed Kelly to perform with a double of himself thanks to special effects. Eugene Loring may be one of the lesser-known choreographers, but during his lifetime he created a fine body of work. It was a shame the three of them didn't make another movie together! His best-known works are. Check out the banners below for some great upcoming blogathons! Get exclusive access to content from our 1768 First Edition with your subscription. Please select which sections you would like to print: Corrections? Thank you for your fine outline of the work of choreographer Eugene Loring. He made his Broadway directing debut with The Red Shoes, an expensive musical that closed quickly in 1993. As the popularity of movie musicals began to fade in the late 1950s, Donen increasingly took on other projects. Our editors will review what you’ve submitted and determine whether to revise the article. Donen and Kelly codirected—and Kelly starred in—this satirical comedy about the coming of sound to the motion-picture industry. Please click on the links hidden within the text to enjoy and appreciate Loring's work, the man deserves more recognition for his contribution to film choreography than he has received. A modest comedy, Fearless Fagan (1952), and Give a Girl a Break (1953), with a performance by Debbie Reynolds and the dancing of Bob Fosse and Gower Champion, preceded Donen’s next major triumph, Seven Brides for Seven Brothers (1954). One day, he saw Uday Shankar, a talented Indian dancer, perform and Eugene knew that he wanted to become a professional dancer. Stanley Donen, (born April 13, 1924, Columbia, South Carolina, U.S.—died February 21, 2019, New York, New York), American motion-picture director and choreographer who was one of the most influential directors of movie musicals in the 1940s and ’50s. Which film won the first best picture prize at the Academy Awards, in 1929? Even as a newcomer in Hollywood, he found innovative ways of choreographing for the screen. Less successful were a pair of films that Donen directed starring Yul Brenner: Once More, with Feeling! Following that failure, Donen directed television programs and made a music video for Lionel Richie, after which he effectively retired. Upon receiving an Academy Award for Lifetime Achievement in 1998, the choreographer and filmmaker humbly accepted his Oscar with a brief song and dance, reminding viewers of the warmth and grace that characterized his career. As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. As a boy, he made 8-mm home movies and studied tap dance. Donen is best known for co-directing Singin' in the Rain (1953) with Gene Kelly, propelling the classic MGM movie musical to international fame. Combining the Faust legend with baseball, the film retained most of the Broadway cast (notably Gwen Verdon, Ray Walston, and Jean Stapleton) and a score that included “Whatever Lola Wants” and “You Gotta Have Heart.”. Having befriended the star of the show, Gene Kelly, Donen migrated to California where he began choreographing for movie musicals while still a teenager. Stanley Donen, American motion-picture director and choreographer who was one of the most influential directors of movie musicals in the 1940s and ’50s. Jungle thrillers had long been a staple at every Hollywood studio. They. Meanwhile, I'm really glad to know the work of this fine choreographer both in NY and especially with Fred Astaire. After graduating from high school at age 16, he briefly attended the University of South Carolina but left for New York City in 1940 to pursue a career as a dancer. Moreover, he received a story credit for renowned choreographer Busby Berkeley’s Take Me Out to the Ball Game (1949), which he also choreographed. Donen’s next significant effort was Arabesque (1966). It's that time of year again....when summer begins to peak its head around the corner then our brains start to buzz with new ideas. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. I love the numbers he choreographed for Fred and Cyd in SILK STOCKINGS. There he was cast as a chorus boy in the original production of the stage musical Pal Joey, whose star was Gene Kelly, with whom Donen would work many times over the next 15 years. In 1941 he assisted Kelly with the choreography for another stage musical, Best Foot Forward, the film version of which (1943) Donen co-choreographed and appeared in as part of the chorus. His dances in Funny Face and Silk Stockings are wonderful. He always believed that dance was dance and no dancer should learn simply one style but instead embrace a wide variety of forms and movement. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival. (From left) Kay Thompson, Fred Astaire, and Audrey Hepburn in. In Movie Movie (1978) Donen and a cast that included George C. Scott, Eli Wallach, and Art Carney lovingly parodied two of the most popular genres of the 1930s—the backstage musical and the boxing film—but audiences seemed to have been confounded by its unusual conceit. 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, Sponsored by Boston Conservatory at Berklee, Sponsored by USC Glorya Kaufman School of Dance, Stanley Donen, 'Master of the Musical' Who Directed 'Singin' in the ... ›, Remembering 'Singin' in the Rain' filmmaker - CNN Video ›, Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival.

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